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The Meaning of Life

This page is about the Monty Python film; for the philosophical concept, see meaning of life. http://upload.wikimedia.org/wikipedia/en/9/91/Meaningoflife.jpg
http://upload.wikimedia.org/wikipedia/en/9/91/Meaningoflife.jpg


The Meaning of Life was a Monty Python comedy film made in 1983. This film was essentially a series of comedy skits about the various stages of life - in some ways a return to the sketch comedy format of the original television series.

 The resulting film is regarded as a little uneven, though which particular scenes are thought funny varies from person to person.  Some more generally praised scenes include:
  • The Crimson Permanent Assurance, originally conceived by Terry Gilliam as a 6-minute animated sequence, later expanded to a 16-minute live-action piece, to the point where it no longer fit into the framework of the film and became a pre-movie short film in its own right. In an early satire of globalization, elderly traditional office clerks rebel against their cold, efficient corporate masters at The Very Big Corporation of America, commandeer their building and turn it into a pirate ship, raiding financial districts in numerous big cities before falling off the edge of the world. There are echoes of Gilliam's Time Bandits (1981).
  • The Miracle of Birth, Part I, is the opening scene of the film proper, where a woman in labour is ignored by doctors, nurses, Japanese tourists, and eventually the hospital's administrator as they drag in more and more elaborate equipment, including "the machine that goes PING!".
  • The Miracle of Birth part II, which shows a Catholic family in industrial England that has to sell their 63 children for medical experiments, because they don't believe in birth control. The skit culminates in the musical number "Every Sperm is Sacred", a parody combining "Consider Yourself" from the musical Oliver! with the ragamuffin dancing orphans of Annie, released the previous year. The segment satirises the Catholic Church's attitudes to contraception and masturbation and follows with a burlesque of Protestant tolerance, always available but somehow never used.
  • Growth and Learning, in which a group of schoolboys watch in boredom as their teacher (John Cleese) demonstrates sexual techniques with his wife.
  • Fighting Each Other, in which World War I soldiers preparing to charge to their deaths have a few little gifts in appreciation of their commander, including a grandfather clock.
  • Live Organ Donation, in which an organ donor card holder has his organ's forcibly removed in his own front room.
  • Galaxy Song, in which a man in a pink suit (Eric Idle) emerges from Mrs. Brown's refrigerator to sing her a song about the wonders of the universe, all in an attempt to convince her to make an immediate liver donation.
  • Middle Age, in which a husband and wife make a valiant attempt to discuss Philosophy they have ordered from a menu of conversations.
  • A Noel Cowardesque song about penises.
  • Mr. Creosote, in which the eponymous gourmand, an impossibly fat man played by Terry Jones, waddles into a decorous restaurant, swears at the waiter (Cleese), vomits copiously, eats an enormous meal while vomiting into buckets, and finally — after being persuaded to eat one last "wafer-thin mint" by the impeccable French waiter — explodes, showering the restaurant with offal. Quentin Tarantino has confessed to being nauseated by this scene, but critics with stronger stomachs have praised its dark humour.
  • Social Death, in which a group of snobs at an isolated country house are visited by the Grim Reaper (Cleese), and spend a lot of time arguing with him before finally being persuaded to leave the mortal coil.
  • Christmas in Heaven as a night club act

Because the film was not intended for television, some scenes shows a much more black humour than the Monty Python TV series (for example Mr Creosote or Human Organ Transplantation sketch).

In 2004 a "special edition" DVD was released with director's commentary, deleted scenes and behind-the-scenes documentaries, both real and spoof.

During the title sequence, the title of the movie is first written as "The Meaning of Liff", and is corrected in a second by a lightning strike. This appears to allude to the humorous dictionary Meaning of Liff (by Douglas Adams and John Lloyd), released on same year as the movie.

Ireland banned the film on original release, like it did The Life of Brian, but was then rated 15 when it was released on video.

In Britain, it was rated 18 when released in the cinema and on its first release on video, but was re-rated 15 in 2000.

External links

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